As an artist, muralist, and painter in Columbus, Ohio, one of my favorite parts of creating murals is watching an idea develop into something real. Every mural commission starts with a conversation, but by the time the final brushstroke is finished, that original idea has gone through a creative process involving planning, design, preparation, and plenty of paint.

Here’s a look at how I approach a mural commission from idea to wall.

1. The Consultation

Every project begins with a conversation. I want to understand what the client is envisioning, what the space means to them, and what they hope the finished mural will accomplish.

We’ll discuss the location, wall dimensions, preferred colors, subject matter, style, budget, and timeline. For a business, we might also talk about branding and how the artwork can complement the surrounding space.

Whether it’s a small private project or a large piece of public art, understanding the client’s goals is an important first step.

2. Developing the Concept

Once I understand the vision, I begin developing the concept. This is where I take the ideas from our consultation and turn them into a visual direction.

I consider the architecture of the wall, the surrounding environment, how people will experience the artwork, and how the design will look from different distances. As a Columbus artist, I also enjoy finding ways to incorporate local character into a project when appropriate.

The goal is to create something that feels intentional rather than simply filling an empty wall.

3. Sketches and Revisions

Before paint ever touches the wall, I create concept sketches for the client to review. This gives us an opportunity to make adjustments and make sure we’re headed in the right direction.

Revisions are a normal part of the commission process. Colors might change, an element may be added or removed, or the composition might need to be adjusted to better fit the space.

Once we agree on the final design, the project moves into production.

4. Preparing the Wall

Good preparation is essential to a successful mural. Before I begin painting, I evaluate the surface and determine whether it needs cleaning, repairs, priming, or other preparation.

Taking the time to properly prepare the wall helps create a better painting surface and can contribute to the longevity of the finished artwork.

5. Painting the Mural

This is where the concept finally comes to life.

Depending on the size and complexity of the project, I may use brushes, rollers, lifts, scaffolding, or other equipment. Large murals can take considerable time, but watching the image gradually appear on the wall is one of the most rewarding parts of being a muralist.

There’s something special about seeing a sketch become